Wednesday, February 2, 2011
Venus vs. Mars
In Douglas' next chapter "You Go, Girl," I am troubled by this statement: "enlightened sexism suggest that black women deserve to be objectified and should be rendered powerless because all they really care about are sex and money anyway." The Hip Hop culture have surely displayed such image of African American women as sex objects. The industry of Hip Hop is not one that I want to discuss at the moment, but a great documentary that examines "manhood, sexism, and homophobia in hip-hop culture" (IMDb) is called HipHop: Beyond Beats & Rhyme if anyone wants to check it out. This is the one chapter that I feel Douglas actually takes a stand on and display her opinions. She has a strong stand on what it means to be a successful black women; her comparison of Wanda Syke, Queen Latifah and Oprah with Big Momma and Tyler Perry's Madea is extremely interesting. I don't know if I'm over analyzing, but I feel that Douglas suggest a successful black women needs to know how to code switch and also have the approval or support of the white audiences. Douglas mentions Oprah's successful because not only does she have the support of women like her but white women also support her. On the other hand, if we think about it Tyler Perry's movies seem to only attract black viewers.
Overall, these two chapters have a common theme of women's lives being dominated by male related activities. Douglas states "men can't and won't change, so women must accept this and accommodate it." We see this in Douglas examples of girls looking toward boy bands for their ideal boy and female rappers still responding through their lyrics about men instead of addressing the issues. So now I wonder, to what extend is Douglas' statement true; how much have women accepted and accommodated for men?
Women are from Venus.. Men from Mars
Monday, January 31, 2011
Follow up: Third Wave
Both Rebecca Walker's "Becoming the Third Wave" and Susan Douglas' "Castration Anxiety" seem to come to a consensus that manhood is signified by "penis power," as Walker calls it. The incidences Douglas discusses in Chapter 2 illustrates men's fear of women's power in relation to what women can do to their private parts or the outrageous things they will do out of rage or jealousy. This chapter makes me think about how people and society define what a man or a woman is. In my Legacies of the Ancient World class, my professor said "if you think you are man, please stand up." Of course all the men stood up (and one girl stood up), but when the professor questioned why they stood up their answer ranged from the obvious answer, "I have a penis" to more board answers "I take on responsibilities" or "I took care of my single mother" etc. My professor was not satisfied with these responses and he challenged the notion of what society classify as male or female. I think it would be interesting to see how our class define as manhood and womanhood.
Douglas' third chapter "Warrior Women in Thongs" remains me of a conversation I had with a friend about how female superheros are portrayed. We could not come up with one female superhero that was not wearing revealing clothing. Besides the ones Douglas mentions in the chapter--Buffy and Xenia--the list of sexy superheros goes on and on. These superheros are not only extremely sexy in television shows and movie, but such image also extend to comic books, video games, and other. It seems as the caricature of sexy women in power are endless; and this brings us back to Caroline's question--is it possible (or is society willing) to separate power and beauty?
Third Wave
Television- Women's Kryptonite?
In Susan Douglas’s first chapter, “Get the Girls” she discusses popular TV shows in the 90’s and their affects on women, and teenage girls more specifically. She shows how shows like 90210 created an ideal woman as an appearance focused, more materialistic person rather than a moral and just person. Douglas writes, “so 90210 was an important early building block of enlightened sexism because it insisted that the true, gratifying pleasure for girls, and their real source of power, came from consumerism, girliness, and the approval of guys” (p.31).
Today, I still find this idea to be true. Parents are always wary when their young children watch TV because they don’t want their kids to copy something negative or inappropriate they see on the television. However, this censorship usually ends when the children reach their teens and are deemed mature enough to watch R rated movies and more explicit shows. But, even though these children have matured, they still tend to perceive televisions depictions of society as the norm. These shows not only affect young woman, but also young men and their views of women. I once had my guy friend tell me he wanted to be just like Christian, the egotistical, extremely sexist plastic surgeon on Nip Tuck. I was shocked by this because not only does Christian lack any respect for women, he also is portrayed as depressed and suffering from emotional issues. Yet, because he was so successful and had sex with many beautiful woman on the show, my friend desired to be like him. My friend, probably like most sexually driven teenage boys, was overcome with Christian’s relationships with women instead of his more realistic life problems of depression and fear of commitment. This show set up an example of a successful man disrespecting women yet having women madly desire him. I noticed after this show came on the air, my friend changed a bit and became ruder and more sexist to women. Shows like 90210 and Gossip Girl set a negative, yet popular example of how young men should behave towards young women.
On the other hand, I recently got my nails done over break, when my manicurist was telling me about a 11 year old girl who came in every month to do her nails. I found this absurd. To me it showed how our women and girls in our society were indeed affected by this materialistic image of how a woman should look and behave. I had never gotten a manicure until I was at least 15, so I was shocked by this story and this young girls obsession with appearance.
These shows, 90210, Nip Tuck, Gossip Girl, all started the wave of new “enlightened sexism” and unfortunately, have lead to a tsunami of shows following in their footsteps. Television and media will always be a major part of society, but as a younger growing generation, I think it is our jobs to really watch shows with a critical eye because of the negative impacts they had have on women.